Jun 19, 2019 materials
        DuoLingo Spanish
        Chavela Vargas sings Poloma Negra
        Paco Ardit A1 novel: Ana Estudiante
        Spanish Grammar (1942, 1943) by Eric. V. Greenfield 
        lwt app
        Anki app
        

Books in Hand

        x Dictionary of 501 Spanish Verbs: Fully Conjugated in All the Tenses
        Author: Christoper Kendris
        

        El Despertar (Trilogía El Despertar nº 1) (Spanish Edition) Kindle Edition
        

        The New World Spanish/English, English/Spanish Dictionary
        ISBN: 9780451181688
        

        The Oxford Spanish Dictionary: Second edition revised with supplements
        ISBN: 9780198603672
        

        Paco Ardit A1,A2 Novels ebooks and audio
        

        x A Practical Spanish Grammar For Border Patrol Officers
        Author: Friar, John G.; Kelly, George W.
        

        Practice Makes Perfect: Spanish Pronouns And Prepositions
        Author: Richmond,Dorothy
        ISBN: 9780844273112
        

        Spanish Grammar (1942, 1943) by Eric. V. Greenfield 
        with additions by Don Potter.
        With audio of the associated stories by spanish speaker
        

        Spanish Made Simple
        Author: Judith Nemethy
        ISBN: 9780767915410
        

spanishnovels.net/ Spanish Novels by Paco Ardit

Paco Ardit is the author of the Spanish Novels Series. He was born in Madrid, Spain, in 1976. Since the early 1980’s he lives in Buenos Aires, Argentina. He loves learning and teaching languages, reading books, and writing fiction. His mission is to create the best learning materials for language learners. Combining his experience in learning, languages and fiction writing he comes up with engaging graded readers in multiple genres: Mystery, Detective Stories, Romance, Comedy, Drama, and more.

spanishnovels.net Purchased Beginners (A1 + A2) $39

        10 Audiobooks + 10 Ebooks
        10 Ebooks (PDF, MOBI and EPUB)
        10 Audiobooks
        7 Hours of Audio
        High Quality MP3 Files
        

spanishnovels.net/ Download page for A1 and A2 bundles here

spanishnovels.net Download A1 ebooks

spanishnovels.net/ Download A1 Mp3 audio books

          A1 - Ana, estudiante ebook
        ~/Downloads/ana_estudiante-spanish_novels-a1.epub
        
          A1 - Ana, estudiante audio book MP3
        ~/Downloads/ana-estudiante-completo.mp3
        

        /home/craig/dev/lwt/spanish-novels-a1-ana-estudiante/
          ana_estudiante-spanish_novels-a1.epub
          ana-estudiante-completo.mp3
        

en.wikipedia.org/ Marianela by Benito Pérez Galdós in 1878.

Marianela is a Spanish novel written by Benito Pérez Galdós in 1878. Several secondary characters appear in the novella that would become protagonists in his later novel cycle, Novelas españolas contemporáneas (Contemporary Spanish Novels).

In 1940, 1955 and 1972, the novel was adapted into films. A Mexican TV series based on the novel was filmed in 1961. In 1988 there was a second Mexican adaptation of Marianela as soap opera Flor y Canela starring Edith Gonzalez (Florentina), Ernesto Laguardia (Pablo) and Daniela Leites (Marianela). There is also a teleteatro of Marianela starring Fernando Colunga as Pablo.

gutenberg.org/ Spanish - The Project Gutenberg eBook, Marianela, by Benito Pérez Galdós

gutenberg.org/ English - Marianela by Benito Pérez Galdós

MARIANELA BY B. PEREZ GALDÓS Author of “Gloria,” etc. From the Spanish by CLARA BELL REVISED AND CORRECTED IN THE UNITED STATES

gutenberg.org/ Spanish - Doña Perfecta by Benito Pérez Galdós

gutenberg.org/ DONA PERFECTA by B. PEREZ GALDOS Translated from the Spanish by Mary J. Serrano

INTRODUCTION

The very acute and lively Spanish critic who signs himself Clarin, and is known personally as Don Leopoldo Alas, says the present Spanish novel has no yesterday, but only a day-before-yesterday. It does not derive from the romantic novel which immediately preceded that: the novel, large or little, as it was with Cervantes, Hurtado de Mendoza, Quevedo, and the masters of picaresque fiction.

Clarin dates its renascence from the political revolution of 1868, which gave Spanish literature the freedom necessary to the fiction that studies to reflect modern life, actual ideas, and current aspirations; and though its authors were few at first, “they have never been adventurous spirits, friends of Utopia, revolutionists, or impatient progressists and reformers.” He thinks that the most daring, the most advanced, of the new Spanish novelists, and the best by far, is Don Benito Perez Galdos.

I should myself have made my little exception in favor of Don Armando Palacio Valdes, but Clarin speaks with infinitely more authority, and I am certainly ready to submit when he goes on to say that Galdos is not a social or literary insurgent; that he has no political or religious prejudices; that he shuns extremes, and is charmed with prudence; that his novels do not attack the Catholic dogmas—though they deal so severely with Catholic bigotry—but the customs and ideas cherished by secular fanaticism to the injury of the Church. Because this is so evident, our critic holds, his novels are “found in the bosom of families in every corner of Spain.” Their popularity among all classes in Catholic and prejudiced Spain, and not among free-thinking students merely, bears testimony to the fact that his aim and motive are understood and appreciated, although his stories are apparently so often anti-Catholic.